Quo vadis ars?
The situation in the cultural sector has been
described and discussed in numerous interviews, corona diaries,
comments and reports in the past few weeks. Our annotated
collection
of currently 193 sources
gathers voices from different sectors and media.
This creates a picture of the cultural landscape in crisis,
whose temporal transformation can be explored interactively
via a dedicated
tag cloud.
Von Zombies, Würmern und Corona auf dem Land . Lola Randl über „Die Krone der Schöpfung“
About zombies, worms and Corona in the countryside . Lola Randl on the „The Pride of Creation“
by Lola Randl, Frank Meyer (28 Aug 2020)
Original source: Deutschlandfunk Kultur
Lola Randel wrote one of the first pandemic novels with her novel "The Pride of Creation". The novel is set in a village and deals with life with and in nature, as well as with how to deal with the pandemic, which breaks into the village idyll width townspeople fleeing in their vacation homes. Whether the first-person narrator is actually infected remains open. The novel consists of short, small chapters, which are listed again in a register at the end. The almost lexical chapters structure the fictional text and help the narrator to grasp the situation. The st ructure of the lexica also provides the narrator with support, however, as she gets lost in her research on the Internet. Randel thus finds a narrative picture of how many people at the beginning of the pandemic obtained information on the Internet in a patchwork of images.
The narrator is working on a zombie story, which is why the undead play an important role in the narrative. They have a metaphorical role, since they stand for the virus as the smallest zombie, the smallest undead. In the interview, the author herself is surprised that the zombie story has taken up such a large space in the novel at the end.
The motto of the novel is a poem from the baroque era. Mortality, which the baroque author Andreas Gryphius deals with, is a counter position to the repression of death in the present. In dealing with the transience of life, the author poses the question of how to explain society's reactions to the current threat in relation to the pandemic.
The interview gives the impression that Randel's narrative is controlled by emotions and experiences. Themes and motifs are imposed by the narrative and are given space in the novel. Whether the handling of the pandemic in the narrative is just as unreflected as the author would like to make us believe, the readers must probably find out for themselves. Read More Read Less
The narrator is working on a zombie story, which is why the undead play an important role in the narrative. They have a metaphorical role, since they stand for the virus as the smallest zombie, the smallest undead. In the interview, the author herself is surprised that the zombie story has taken up such a large space in the novel at the end.
The motto of the novel is a poem from the baroque era. Mortality, which the baroque author Andreas Gryphius deals with, is a counter position to the repression of death in the present. In dealing with the transience of life, the author poses the question of how to explain society's reactions to the current threat in relation to the pandemic.
The interview gives the impression that Randel's narrative is controlled by emotions and experiences. Themes and motifs are imposed by the narrative and are given space in the novel. Whether the handling of the pandemic in the narrative is just as unreflected as the author would like to make us believe, the readers must probably find out for themselves. Read More Read Less
tag Corona-Roman Zombies Gesellschaft Metapher Literature/ Text Interview
Wie Autorinnen und Autoren in der Corona-Krise geholfen wird . Rettungspaket »Neustart Kultur«
How authors are getting help in the Corona crisis . Rescue package »Neustart Kultur«
by Anne Sailer (24 Aug 2020)
Original source: mdr Kultur
Within the framework of "Neustart Kultur" [Restart Culture], authors are also to be supported in three subprograms. The aim of the programs is to generate public attention in order to boost sales. In addition to an internet platform on which 100 authors can present themselves and receive €500 each for their contribution, there is also the program "Thousand Literary Reencounters". Here the authors receive 1000€ each. In the third line of funding, interactive programs for children and young people are supported.
The German Literature Fu nd was commissioned by the German Federal Cultural Minister of State Monika Grütters, to distribute the money. This means that the association is faced with a very special task, since its task is more to promote aesthetically demanding literature that has few chances on the market.
One author whose film can already be viewed on the Literature Fund website is Daniela Danz. She applied for the first subprogram with a sketch of her ideas. Now she can be watched walking through the grass in rubber boots and reading the opening poem of her new poetry collection. Even though everything appears very relaxed in the video, it took her many attempts until the timing was right. Even if the offer seems very low-threshold, the technical realization is still a challenge. The German Literature Fund received far more project proposals than there is money for. But even for those authors who are allowed to present themselves in a video, the program is only a drop in the ocean. What would really help is a return to normality, with real readings in front of an attentive audience. Read More Read Less
The German Literature Fu nd was commissioned by the German Federal Cultural Minister of State Monika Grütters, to distribute the money. This means that the association is faced with a very special task, since its task is more to promote aesthetically demanding literature that has few chances on the market.
One author whose film can already be viewed on the Literature Fund website is Daniela Danz. She applied for the first subprogram with a sketch of her ideas. Now she can be watched walking through the grass in rubber boots and reading the opening poem of her new poetry collection. Even though everything appears very relaxed in the video, it took her many attempts until the timing was right. Even if the offer seems very low-threshold, the technical realization is still a challenge. The German Literature Fund received far more project proposals than there is money for. But even for those authors who are allowed to present themselves in a video, the program is only a drop in the ocean. What would really help is a return to normality, with real readings in front of an attentive audience. Read More Read Less
tag Autorenförderung Neustart Kultur Deutscher Literaturfonds Monika Grütters Daniela Danz Literature/ Text Bericht
»Das ist kein Neustart, das ist der Tod auf Raten« . Konzertveranstalter und Corona
»This is not a fresh start, this is living on borrowed time« . concert organizers and Corona
by Benjamin Fischer (17 Aug 2020)
Original source: Frankfurter Allgemeine Zeitung
Stephan Thanscheidt is co-head of FKP Scorpio. The company, with around 350 employees in 11 countries, is not only one of the largest festival organizers in Europe, but last year the company hosted around 3000 concerts by more or less well-known musicians - including superstars such as Ed Sheeran and David Guetta. Thanscheidt is primarily responsible for the organization of the festivals. In the summer, he usually spends more time at festivals than at his desk. This is important in order to keep a feel for the wishes and expectations of the visitors.
In March and April, FKP Scorpio continued to plan the summer events. Although there was already a bad feeling during the lockdown, but without a long-term cancellation by the authorities, the company had no choice but to postpone the festivals for the time being in order not to lose insurance coverage. This was an enormous effort, as events and the corresponding tickets had to be rebooked time and again. The advertising was reissued, only to announce the next postponement.
The industry, which even during the economic crisis of 2009 had hardly any loss of revenue, now faces completely new challenges. Short-time work and home offices have been completely unknown until now. Although there are regular digital meetings, it is difficult to realize joint creative work. Especially for the ten trainees, the situation is more than unsatisfactory, as they are currently only getting to know parts of the planned areas of responsibility.
In the summer, the industry has prepared itself for a standstill until Christmas. If no events are possible next year either, many companies are on the verge of closure. Although the public and politicians have the impression at the moment that the drive-in cinema concerts or other events will bring money back into the coffers, according to Thanscheidt, this is not a matter of income to be taken seriously, but rather of "living on borrowed time". FKP Scorpio has been running a solid business in recent years and can still fall back on reserves. If, however, no festivals with normal capacity can be held next year, FKP Scorpio will also be in trouble. Read More Read Less
In March and April, FKP Scorpio continued to plan the summer events. Although there was already a bad feeling during the lockdown, but without a long-term cancellation by the authorities, the company had no choice but to postpone the festivals for the time being in order not to lose insurance coverage. This was an enormous effort, as events and the corresponding tickets had to be rebooked time and again. The advertising was reissued, only to announce the next postponement.
The industry, which even during the economic crisis of 2009 had hardly any loss of revenue, now faces completely new challenges. Short-time work and home offices have been completely unknown until now. Although there are regular digital meetings, it is difficult to realize joint creative work. Especially for the ten trainees, the situation is more than unsatisfactory, as they are currently only getting to know parts of the planned areas of responsibility.
In the summer, the industry has prepared itself for a standstill until Christmas. If no events are possible next year either, many companies are on the verge of closure. Although the public and politicians have the impression at the moment that the drive-in cinema concerts or other events will bring money back into the coffers, according to Thanscheidt, this is not a matter of income to be taken seriously, but rather of "living on borrowed time". FKP Scorpio has been running a solid business in recent years and can still fall back on reserves. If, however, no festivals with normal capacity can be held next year, FKP Scorpio will also be in trouble. Read More Read Less
tag Konzertveranstalter Festivals Versicherung Planungssicherheit Exit-Strategie Auszubildende Music Beitrag
Es sieht düster aus, bilanziert die Schweizer Museumsbranche . Corona-Folgen für Museen
It looks rather gloomy, concludes the Swiss museum industry . Consequences of Corona for museums
by brik/kusv (10 Aug 2020)
Original source: Radio SRF 2 Kultur
"It's terrible what you just see and hear informally," says Tobia Bezzola, President of the Swiss Association of Museum Professionals ICOM, commenting on the situation of museums in Switzerland. There has been a 50 to 80 percent drop in visitor frequency. Site location, type of funding and the proportion of inter-regional visitors are currently determining the extent of the losses. Using the example of the Museum of Science Kulturama in Zurich, the Museo d'arte della Svizzera Italiana MASI and the Museum of Natural History St. Gallen, the article illust rates the concerns of museum directors in Switzerland. At present, they are able to cope with the operation with the help of reserves and the support of the cantons, but if the crisis lasts longer, job cuts and a reduction of the cultural program must be taken into consideration.
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tag Museen Besucherzahlen Finanzen öffentliche Finanzierung Claudia Rütsche Tobia Bezzola Toni Bürgin Visual Arts/Design Bericht
DOV: In der Klassik fallen viele durch alle Förderraster . Corona-Hilfen für die Musik
DOV: In classical music, many fall through all the funding cracks . Corona aids for music
by Gerald Mertens, Jörg Biesler (02 Aug 2020)
Original source: Deutschlandfunk
Funding conditions for the music sector were extended by the federal government. Living costs can now also be taken into account. Nevertheless, the support is far from sufficient to compensate for the billions lost in the industry - especially since all employment routes for musicians have been cut off at the same time.
Gerald Mertens, Managing Director of the German Orchestra Association (DOV), describes the current situation of artists and orchestras in an interview. He predicts that many musicians will look for other jobs because they cannot cover 12 months of loss of income from reserves. He formulates the demand that the federal and state governments must give more support to classical music, which is currently falling through all the cracks. Read More Read Less
Gerald Mertens, Managing Director of the German Orchestra Association (DOV), describes the current situation of artists and orchestras in an interview. He predicts that many musicians will look for other jobs because they cannot cover 12 months of loss of income from reserves. He formulates the demand that the federal and state governments must give more support to classical music, which is currently falling through all the cracks. Read More Read Less
tag klassische Musik Orchester Berufsverbot Initiative Musik Umsatzeinbruch Kulturförderung Music Interview
Durchs Raster gefallen . Kulturschaffende in Coronakrise
Fallen through the cracks . the arts community during Corona crisis
by Sabine Seifert (29 Jul 2020)
Original source: taz
Three months after an initial conversation about her personal situation as an artist during the lockdown, Sabine Seifert meets again with a singer, a visual artist, an actor and a museum educator to talk with them about their experiences during the Corona crisis.
The working conditions for the artists are still all but optimal, as the hygiene rules for all cultural fields of work entail restrictions. Many people appreciate the social network that is provided in Germany. Emergency aid and basic security have helped them to survive the last few months financ ially. However, applications for basic security have only increased by about a quarter. Due to the bad aura of basic security called Hartz IV, many people were reluctant to apply.
Even the applications for solo self-employed persons do not take into account the living and working conditions of artists even after three months. Seifert critically observes that in many federal states the cost of living may not be regarded as operating costs, but also the fact that in the second round applications may only be made by tax or accountants is completely ignoring the reality of small and medium-sized enterprises. Although the profession of an artist is fundamentally associated with uncertainty, the general conditions have currently changed radically. No one can predict with certainty how the pandemic will develop. When again which event format will be possible.
Olaf Zimmermann, Managing Director of the German Cultural Council, points out that the working structures on the cultural market have changed in recent years. Although there are fewer artists, there are more solo self-employed people in the field of cultural education, management and technology. Cultural policy has failed to counteract the precarious structures that have emerged here. Basically, according to Olaf Zimmermann, one should think about whether the classic concept of the entrepreneur still applies to artists and cultural workers - especially since they make an important contribution to society. Read More Read Less
Even the applications for solo self-employed persons do not take into account the living and working conditions of artists even after three months. Seifert critically observes that in many federal states the cost of living may not be regarded as operating costs, but also the fact that in the second round applications may only be made by tax or accountants is completely ignoring the reality of small and medium-sized enterprises. Although the profession of an artist is fundamentally associated with uncertainty, the general conditions have currently changed radically. No one can predict with certainty how the pandemic will develop. When again which event format will be possible.
Olaf Zimmermann, Managing Director of the German Cultural Council, points out that the working structures on the cultural market have changed in recent years. Although there are fewer artists, there are more solo self-employed people in the field of cultural education, management and technology. Cultural policy has failed to counteract the precarious structures that have emerged here. Basically, according to Olaf Zimmermann, one should think about whether the classic concept of the entrepreneur still applies to artists and cultural workers - especially since they make an important contribution to society. Read More Read Less
tag Soforthilfe Grundsicherung Solidarität Verdi bbk Elisabeth Anschütz Sascha Oliver Bauer Ka Bomhardt Wilko Reinhold Olaf Zimmermann All sections Bericht
»Was in Berlin passiert, ist ziemlich einmalig« . Corona-Hilfe für Klubkultur
»What's happening in Berlin is quite unique« . Corona aid for club culture
by Laura Aha (20 Jul 2020)
Original source: Spiegel
Clubs were the first cultural institutions to close, and they will most likely be the last to be allowed to reopen. In Berlin alone, 140 clubs and as many club event agencies employ around 9000 people. In Berlin, Senator for Culture Klaus Lederer has launched a 30 million euro aid package for clubs. Cologne and Hamburg have also granted support to the scene at a very early stage. The situation is different in cities that have not yet promoted pop culture. Here, clubs are falling through the ranks of the various support models and are fighting for recognition as cultural institutions. Currently, the open-air season is making it possible to compensate somewhat for the slump in sales. But the scene needs a long-term strategy to avoid falling victim to the crisis.
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tag Clubszene Berlin Soforthilfe Konjunkturpaket Klaus Lederer Music Bericht
Vorhang auf! . Spielstart: Anti-Corona-Konzepte deutscher Theater
Open the Curtain! . Start of Season: Anti-Corona concepts of German Theatres
by Verena Greb, Nadine Wojcik (19 Jul 2020)
Original source: Deutsche Welle
Dismantled seats, Plexiglas panes, hand disinfection, separate entrances and exits: The operation at the theaters is to start again, but this requires hygiene concepts to protect the audience from being infected by droplets. Each theatre is currently developing its own concepts. What they all have in common is that a maximum of a quarter of the previous tickets can be offered.
Special tests were carried out in Augsburg and Berlin. With the help of machines and fans, hydrogen peroxide is nebulized over large areas in the halls. The Berliner Ensemble reports that th e naturally degradable disinfectant can kill 99 percent of viruses and bacteria. In the future, the technology will therefore not only be used for the halls, but also for toilets and entrance areas.
Meanwhile, a theater course has been developed at the Munich Residenztheater. The visitors are guided in groups of four through different stations in the building where the individual scenes are performed. However, it is problematic that not only the audience has to be kept at a distance, but also the actors must not get too close to each other.
Therefore, the schedules for the new season have been revised in all buildings, and extremely physical productions have been cancelled, as have those with many different roles.
Even though the theaters are slowly awakening from their state of shock, fundamental doubts remain about cultural policy: Why do the theaters have different regulations than German aviation? What significance does culture have? The survival of the large theaters is ensured by Corona cultural aid. If this is not sufficient, the federal states will help out in the long term. For the small theaters, which cannot keep buoy up with their limited number of seats, things do not look so rosy. They now have to decide whether to extend the Corona break. The curtain may have fallen here forever. Read More Read Less
Special tests were carried out in Augsburg and Berlin. With the help of machines and fans, hydrogen peroxide is nebulized over large areas in the halls. The Berliner Ensemble reports that th e naturally degradable disinfectant can kill 99 percent of viruses and bacteria. In the future, the technology will therefore not only be used for the halls, but also for toilets and entrance areas.
Meanwhile, a theater course has been developed at the Munich Residenztheater. The visitors are guided in groups of four through different stations in the building where the individual scenes are performed. However, it is problematic that not only the audience has to be kept at a distance, but also the actors must not get too close to each other.
Therefore, the schedules for the new season have been revised in all buildings, and extremely physical productions have been cancelled, as have those with many different roles.
Even though the theaters are slowly awakening from their state of shock, fundamental doubts remain about cultural policy: Why do the theaters have different regulations than German aviation? What significance does culture have? The survival of the large theaters is ensured by Corona cultural aid. If this is not sufficient, the federal states will help out in the long term. For the small theaters, which cannot keep buoy up with their limited number of seats, things do not look so rosy. They now have to decide whether to extend the Corona break. The curtain may have fallen here forever. Read More Read Less
tag Spielzeit Theater Hygieneregeln Wasserstoffperoxid Freie Szene Kulturförderung Performing Arts/ Cinema Bericht
Die Buchbranche leidet und macht Verluste . Ein Virus namens Angst greift um sich
The book industry suffers and makes losses . A virus called anxiety is spreading
by Paul Jandl (17 Jul 2020)
Original source: Neue Züricher Zeitung
Even before the crisis, things did not look bright in the book industry. In recent years, the number of people who regularly buy a book has fallen steadily. The Corona crisis, during which many switched to other media and Amazon preferred to deliver toilet paper instead of books, reinforced this trend. At the end of May, the industry recorded a loss of 17.5 percent compared to the previous year. And so many publishers are reacting with a cost-cutting programme.
Just how hard the industry is struggling with its reinvention was shown by the squabbles surrounding the Frankfurt Book Fair in October. Many publishing companies have since cancelled their participation after the people in charge decided very early on to hold the Fair with an alternative concept. In Frankfurt, for example, people are now thinking about transforming the industry meeting into a creative festival where, besides literature, music, pop and gaming are also present. At the moment it is to be feared that anxiety is causing much more damage in the industry than the virus. Read More Read Less
Just how hard the industry is struggling with its reinvention was shown by the squabbles surrounding the Frankfurt Book Fair in October. Many publishing companies have since cancelled their participation after the people in charge decided very early on to hold the Fair with an alternative concept. In Frankfurt, for example, people are now thinking about transforming the industry meeting into a creative festival where, besides literature, music, pop and gaming are also present. At the moment it is to be feared that anxiety is causing much more damage in the industry than the virus. Read More Read Less
tag Buchbranche Buchmesse Neustart Kultur Umsatzeinbruch zweiter Frühling Literature/ Text Bericht
Contra: Kunst hat eine schlechte Klimabilanz . Pro und Contra Kulturreisen
Contra: Art has a poor carbon footprint . The pros and cons of cultural travel
by Catrin Lorch (05 Jul 2020)
Original source: Süddeutsche Zeitung
With the new requirements for visiting exhibitions, mega-exhibitions are a thing of the past. Visitor numbers are becoming incalculable, and even the municipalities themselves will probably be short of money in the near future. With a reduced number of visitors, horrendous costs for loaning and for the exhibition concept can no longer be paid. It is not only the climate balance and economic efficiency, but also common sense that calls for a return to the local audience.
