Quo vadis ars?

The situation in the cultural sector has been described and discussed in numerous interviews, corona diaries, comments and reports in the past few weeks. Our annotated collection of currently 193 sources gathers voices from different sectors and media. This creates a picture of the cultural landscape in crisis, whose temporal transformation can be explored interactively via a dedicated tag cloud.


 

»Die Blockbuster haben ausgedient« . Museen nach dem Shutdown
»The blockbusters had their day« . Museums after shutdown

by Hans D. Christ, Iris Dressler (23 May 2020)
Original source: Welt

In a conversation with WELT newspaper, the heads of the Württembergischer Kunstverein in Stuttgart Iris Dressler and Hans D. Christ make an argument to take advantage of the lockdown for a deeper reflection on the art world. Their text is not only a plea for a reasonable payment for the artists, but at the same time an invitation to the art institutions not to focus on a mass audience in the future, but rather to understand the houses as spaces of ideas and discourse, in which sociopolitical issues are negotiated.

tag Museen Blockbuster Honorar
Visual Arts/Design Interview

»Das ist eine neue Kunstgattung«
»That's a new genre«

by Christian Riethmüller (22 May 2020)
Original source: Frankfurter Allgemeine Zeitung

On Friday, May 22nd, a new format of live entertainment did celebrate its premiere in Frankfurt: With the Stage-Drive-Kulturbühne, the cultural stage at the Jahrhunderthalle has developed a format based on the drive-in cinema, which again makes a cultural program with comedy and cabaret, music, literature and film possible. The stage is supported by two LED screens, each 50 square meters in size, which make the events visible to the visitors. They sit in the parking lot, distributed over 300 vehicles, sorted according to size. The sound is transmitted to the car rad ios via a dedicated FM frequency. Tickets are sold per car. Outside of the vehicles the usual hygiene rules apply. Whether the format works, for example if a cabaret artist cannot hear the laughter of his audience, can be seen here from Friday on. Moritz Jaeschke, Managing Director of the Jahrhunderthalle, developed the new stage format in close cooperation with the Frankfurt/Rhine-Main Business Initiative, which also provides financial support for the project. The business initiative is convinced that culture should not be neglected as an important location factor in the region. The stage could also be used for other purposes such as company presentations. First of all, however, a multifaceted cultural program is planned, which can be accessed via the Jahrhunderthalle's homepage.

Read More Read Less

tag Stage-Drive-Kulturbühne Frankfurt Wirtschaftsfaktor
Performing Arts/ Cinema Bericht

Wenn der Atem nach Freiheit dürstet . Endlich wieder im Konzert
When the breath thirsts for freedom . Finally in concert again

by Manuel Brug (20 May 2020)
Original source: Welt

For eight weeks and two days, Manuel Brug, the feuilleton contributor to the German newspaper Welt, did not attend any more cultural events. For the first live concert in Corona times he is travelling to Wiesbaden for the slimmed-down May Festival, which opens with the world-class bass and Corona rebel Günther Groissböck. Even though it was painfully experienced during the Corona era that culture is not relevant to the system and that politics is merely settling between gambling and brothel, this field report encourages the belief that the cultural industry can slowly reboot.

Read More Read Less

tag Klassische Musik Konzert Systemrelevanz Günther Groissböck Hygieneregeln Wiesbaden
Music Erlebnisbericht

Eine Frauenquote ist jetzt überfällig . Pro Quote Film zur Coronakrise
Women's quota is now overdue . Pro Quote Film in occasion of Corona crisis

by Dunja Bialas (14 May 2020)
Original source: Tagesspiegel

In a press conference, the Pro Quote Film initiative commented on the retraditionalization of the role of women and the corona crisis in general. As screenwriters report, roles for actors from the risk groups are skipped. Older women in particular are currently concerned. Therefore, the initiative calls for the upcoming amendment to the law on public film funding in Germany to set a quota for women in films.

tag Film Pro Quote Film Frauenrolle Gender Equality Alter Risikogruppen Schauspielerinnen Drehbuch Filmförderung Gesetzesnovelle Monika Grütters Silke Cecilia Schultz Maren Kroymann
Performing Arts/ Cinema Bericht

Schwer zu lesen . Keine Messe, kein Amazon, keine Aufmerksamkeit: Corona hat den Buchmarkt hart getroffen.
Difficult to read . No trade fair, no Amazon, no attention: Corona hit the book market severely

by Christoph Schröder (12 May 2020)
Original source: Die Zeit

tag Buchbranche Verlage Buchmesse Herbstprogramm Umsatzeinbruch Jo Lendle Grusche Juncker Andreas Rötzer
Literature/ Text Bericht

Corona-Chronik (8) . Krise als Chance, Theater zu Parkhäusern, Abgase zu Frischluft
Corona Chronicle (8) . Crisis as Chance, Turning Theatres to Parking Garages, Exhaust Gases to Fresh Air

by Nicolas Stemann (11 May 2020)
Original source: Neue Züricher Zeitung

tag Theater Autokino Krise als Chance Hygieneregeln
Performing Arts/ Cinema Corona-Chronik

»Ich bin der Onkel Horst des Alltags« . Feridun Zaimoglu in der Coronakrise
»I am the uncle Horst of everyday life« . Feridun Zaimoglu during Corona crisis

by Johannes Kulms (06 May 2020)
Original source: Deutschlandfunk Kultur

tag Literatur Theater Lesung Honorar Umsatzeinbruch Soforthilfe Selbstmord Feridun Zaimoglu
Literature/ Text Bericht

»Es gibt in Zeiten der Angst eine große Bereitschaft zum Gehorsam« . Daniel Kehlmann über die Corona-Krise
There is a great willingness to obedience in times of anxiety . Daniel Kehlmann on the Corona crisis

by Daniel Kehlmann, Patrick Bauer (06 May 2020)
Original source: Süddeutsche Zeitung

The German author Daniel Kehlmann experienced the outbreak of the Corona crisis in New York City and then retired to Montauk with his family. In an interview, he talks about his impressions of the crisis, the special politics of images and the consequences of the restrictions on freedom.

tag New York Bilder Buchbranche Freiheitsbeschränkungen Robert-Koch-Institut
Literature/ Text Interview

Zurück zum Bettler-Status . Künstler in der Krise
Back to beggar status . Artists in crisis

by Helmut Mauró (02 May 2020)
Original source: Süddeutsche Zeitung

It can only be out of desperation that musicians the Corona crisis give away their work on the Internet - at least that's how Herlmut Mauró interprets it in his commentary in the Süddeutsche Zeitung. In doing so, they not only degrade themselves - Mauró feels reminded of former conductors who stood at the podium not in tailcoats but in their employer's service uniform - but can lend little weight to their demand for state support. After all, our economic system determines the value of a performance by its remuneration. And so it is only a logical consequence that within the framework of the Corona aid programme, an old support programme has been rededicated and now, above all, new forms of presentation of music are being promoted rather than the work of freelance musicians, ensembles and orchestras. 

Read More Read Less

tag Onlineangebote Künstlerförderung Gratiskultur
Music Kommentar

Kultur in der Corona-Krise . Erwacht endlich aus der Schockstarre!
Culture during Corona Crisis . Finally wake up from freeze mode!

by Marco Frei, Christian Wildhagen (01 May 2020)
Original source: Neue Züricher Zeitung

Translation

tag Klassische Musik Konzerthäuser Gleichbehandlung Bundesliga Großveranstaltungen Onlineangebote Hygieneregeln
Music Beitrag

News

Twitter


The signet of facing arts joining the faces of STORM.

Facing arts is a non-profi project. Feel free to support it and get in touch with us!

The Team

Facing arts is a projet by STORM.

STORM is an acronym playing with the initials by Miriam Seidler & Tim Otto Roth, who are hit both by the Corona crisis. Dr. Miriam Seidler is a scholar in German literature and currently works as specialist in public relations. Dr. Tim Otto Roth is a scholar in art and science history and works as a conceptual artist and composer. He is known for his huge projects in public space, cooperations with leading scientific institutions and his immersive sound and light installations. Miriam and Tim collaborate regularly for years. With facing arts they reaslize their first common art project.
You find more informatin on both initiators on www.miriamseidler.de and www.imachination.net.

Special thanks to Paco Croket for the tag cloud programming!

Getting in touch

Get in touch

Write an email to
or use the following form to contact us:

Impressum


Adresse

Privacy Notice

Content
The content of this website has been carefully prepared and reviewed. However, it does not guarantee the accuracy, completeness or quality of the information provided, or that it is up-to-date. Liability claims against the publisher in respect of material or immaterial damage caused by the use or non-use of the information offered or by inaccurate or incomplete information are in principle ruled out provided that there is no provable culpable intent or gross negligence on the institute's part.
The publisher reserves the right to alter, amend or delete parts of the site or the entire offering, or to cease publication, without prior notice.

Links
Where the publisher provides direct or indirect references (i.e. links) to external websites, it is liable only if the publisher has precise knowledge of the content and if it is technically possible and reasonable for it to prevent use in the event that they contain unlawful content.
The publisher expressly states that the linked websites had no illegal content when the links were set up. It has no influence whatsoever on the current and future design of the linked sites and hereby distances itself expressly from any alterations to the content that were made after the links to those sites were set up.
The Publisher is not responsible for the content, availability, correctness or accuracy of the linked sites or of the offerings, links or advertisements therein. It is not liable for illegal, incorrect or incomplete content or in particular for damages arising from the use or non-use of the information provided on linked sites.

Copyright
In all publications, the publisher endeavours to comply with applicable copyrights. If, in spite of this, an infringement of copyright should occur, the publisher will after notification remove the relevant object from its publication or indicate the appropriate copyright. All brand names and trademarks mentioned within the Internet offering that are possibly protected by third parties are without limitation subject to the provisions of the law on trademarks and related signs and the property rights of the registered owners. The mere fact that they have been mentioned should not be taken to mean that trademarks are not protected by third-party rights.

Privacy Policy
The use of the internet pages of www.facingscience.net is possible without any indication of personal data; however, if a data subject wants to use the contact form or image upload form of our website, processing of personal data could become necessary. If the processing of personal data is necessary and there is no statutory basis for such processing, we generally obtain consent from the data subject.